Songs were composed with either the nirgun (without attributes) or sagun (with attributes) attributes.

Vaishnavism refers to the worship of Vishnu or some of his other forms such as Rama and Krishna. Of all these, Keertanam refers to the musical form of devotional worship. They are Shravanam (hearing) Keerthanam (chanting) Smaranam (remembering) Pada Sevanam (serving the GodвЂ™s feet), Archanam (worshipping), Vandanam (offering obeisance), Daasyam (serving as GodвЂ™s servant), Sakhyam (becoming friends with God) and Aatma Nivedanam (total surrender). The Bhagavata Purana also known as Srimad Bhagavadam refers to nine ways of devotional worship called Navavidha Bhakti. The Bhagavad Gita also indicates that the repetitive nature of these songs where the names of God were continuously invoked as evident in Sankirtan was the simplest way to understand and reaffirm the divine. Thus kirtans and bhajans came to be composed in a gamut of languages from Hindi (and its various dialects), Marathi, Tamil, Telugu and Malayalam. Kirtan and Bhajan are intrinsically tied into the Bhakti form of worship. It refers to the Bhakti marga (path) as one of the ways to achieve moksha (liberation) with other ways being that of karma (action) and jnana (knowledge). The Bhagavad Gita gives the scriptural authority of the songs being in vernacular form in addition to Sanskrit stotras and hymns used in praise of God. One of the earliest references of Kirtan and Bhajan and the Bhakti tradition is the Bhagavad Gita, a 700-verse poem composed in the 2nd century BCE and the Bhagavata Purana, both deemed as important scriptures (in Sanskrit) by Hindus. The songs of Nam-Kirtan are sing-along with people from the audience joining in the refrain and the tunes and beat are simple and catchy. The Nam-Kirtan is presented by performers (often standing) before a congregation at a temple or religious and cultural event. The former is part of the concert repertoire in classical music and performers are trained to present these type of songs. Similarly, Kirtans are of two kinds вЂ“ the Pada Kirtan (referred to as kirtana or kriti in Carnatic music, the classical music of southern India) and Nam-Kirtan. These bhajans are the Nam-Bhajan (calling out divine names) as opposed to Pada-Bhajans. In the context of an Indian classical music concert, bhajans are songs that are often heard at the end of the concert and are centered around the praise of a deity or a religious movement such as Sai bhajans and Raghavendra bhajans. In southern India, the word for such a kirtan performance is referred to as bhajan. Kirtan in verb form in northern India refers to group singing of songs which may include bhajans.

When defined as nouns, Kirtan refers to a song praising a deity while bhajan is a personal communication with the divine. Kirtan (Sanskrit вЂ“ вЂpraiseвЂ™) and Bhajan (Sanskrit from root word bhaj meaning вЂto shareвЂ™) form part of the Bhakti sangeet or devotional music.

Over time these musical forms have evolved in their role and influence in Indian devotional worship. Terms such as Kirtan and Bhajan emerged as part of the Bhakti music tradition. The simple songs praised God in different names such as Ram, Krishna, Shiva, Devi and thus it became easy for people to sing along, leading it to be a popular form of devotional worship. The movement arose from a need to create a direct and personal relationship with God without rituals or esoterica of priesthood. Mystics from different regions of India expressed their devotion through hymns and poems in vernacular form. The period is characterized by devotional poetry woven around the themes of love, devotion and surrender to Hindu deities. The Bhakti movement originated in the 6th century in India. Please share and scubscribe if you like our channel & videos.The Bhakti Movement: Understanding Kirtan and Bhajan It is regarded amongst the most important Bani or вЂset of versesвЂ™ by the Sikhs, as it is the first Bani in Nitnem. Jap Ji Sahib is believed to be the first composition of Guru Nanak and is now considered the comprehensive essence of Sikh faith. Jap Ji Sahib begins with Mool Mantra and is followed by 38 Pauris (stanzas) and ends with a final Salok at the end of this composition. It was composed by Guru Nanak Dev Ji, the first Guru in the line of ten Sikh Gurus. Japji Sahib is a prayer at the beginning of the Sri Guru Granth Sahib, considered the holy scripture of Sikhs.

Japji Sahib Hindi вЂ“ а¤ња¤ЄаҐЃа¤њаҐЂ а¤ёа¤ѕа¤№а¤їа¤¬ вЂ“ Japji Sahib in Hindi вЂ“

Shabad kirtan lyrics in hindi